Eurovision, unplugged, unpolished, unapologetic
21.6 C
Vienna
Sunday, June 14, 2026
ONEUROPE: Eurovision Song Contest news
Countdown Countdown 2026 Eurovision 2026 Review: Greece

Eurovision 2026 Review: Greece

Greece heads to Vienna with Akylas and ‘Ferto’, chosen through Sing for Greece 2026 after topping the Greek jury, the international jury and the public vote. That’s usually a decent sign that a country has found something people can agree on. More importantly, ‘Ferto’ sounds current without feeling entirely anonymous, and Greece arrives with genuine momentum after a strong 2025 result.

‘Ferto’ is a modern, rhythm-driven piece of Greek-language pop with strong electronic production and just enough local flavour to stop it drifting into generic pan-European pap territory. Official sources tag it as techno and hyper-techno, which makes sense, though the song is more controlled than chaotic. Akylas performs with confidence and a fair bit of charisma, and that matters because the song’s biggest strength is its overall package rather than any one startling musical idea. There is a hook, there is shape, and there is enough lift in the chorus to keep it moving. There’s even a sprinkling of ‘Bohemian Rhapsody’ towards the end. My (slight) reservation is that ‘Ferto’ doesn’t feel wholly unique. You can hear why it works, to the point there’s a nagging voice in your head saying you’ve heard it somewhere before.

Akylas is part of a younger Greek pop wave. Greece has drawn the first half of the first semi-final. This means ‘Ferto’ will need to establish itself hard and fast. It probably can. It’s immediate enough for that, and polished enough not to look lost.

History

Greece is in better health than it was a few years ago. Marina Satti’s ‘Zari’ finished 11th in 2024, and Klavdia improved that to 6th last time around with ‘Asteromata’. That suggests a country that’s regained confidence and stopped treating Eurovision like an administrative burden.

In 2026, ‘Ferto’ looks like a credible qualifier and a plausible top-ten threat if the live performance lands. Juries should respond to the control and construction, while televoters will just love it. This may not be the most original song in the field, but it’s solidly composed, well performed with enough identity to stay in the conversation. Greece should expect a decent showing, and perhaps a little more if the night breaks kindly.

8 Points