
This article forms part of the OnEurope archive and was originally published on oneurope.co.uk. It has been permanently migrated to oneurope.net, the official home of OnEurope.
Tavo Akys by Katarsis
Well, this is cheery. Katarsis is, I’m informed, by a brief introduction on the official Eurovision website, an experimental rock band known for their distinctive sound and emotionally charged compositions. I mean, there’s certainly an emotion, but it’s not a very upbeat one. Though I suppose if you call your band after catharsis, you expect a modicum of introspection in the sound.
The lyrics – empty words, burning houses, crying eyes, pain – match the bleak sound and look. The band’s grey utilitarian outfits do little to lighten the mood as the lead singer, sporting a fringe even more preposterous than Claudia Winkelman, contorts in angst to convey the message.
Look, not everything has to be happy-clappy; there’s a place for the emotionally wrought in Eurovision. But Eurovision needs to be visual too, and this is a million miles away from the heartfelt emotion visually conveyed in, say, a winner like Molitva.
Lithuania served us 5 semi-finals – FIVE! – to get us to this. You can’t write off a song that’s beaten 44 others over multiple rounds, topped the public and professional voting, and walked the super final by a mile, but I just can’t see where enough support can possibly come from to give this any chance in Eurovision at all. Now, how did it go again? Anyone remember?
My marks: nul points!
Photo: Patrikas Karpickas/Laurynas Skiotys/Deividas Kryzevcius/EBU






